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    • Home
    • Class Radical
    • Reviews and Press
    • ERA Audio Gallery
    • Prometheus
    • Panspermia
    • when summer's gone
    • The Tired Which Sleep...
    • Minkowski's Garden
    • Sometimes Life Works Out
    • Wanderlost
    • Extended Mind Theory
    • Dawn of Day
    • Revenge of the Extinct
    • Never Nervous
    • Substance Duelist
    • The Stumbling Mushroom
    • Astral Mass Transit
    • Saturday Morning Mutants
    • Calling Out To You
    • PERFECT FULL COMBO
    • 8 Bit Fightin' Music 2
    • solve for why
    • the floor is baklava
    • like the moon loves the..
    • I Know The Peace Can Fit
    • Don't Bring Secrets on...
    • Rollin' & Coastin'
    • Stickshift Spaceship
    • Taste Of Twilight
    • Andrea's Theme
    • Steve's Empire I-VI
  • Home
  • Class Radical
  • Reviews and Press
  • ERA Audio Gallery
  • Prometheus
  • Panspermia
  • when summer's gone
  • The Tired Which Sleep...
  • Minkowski's Garden
  • Sometimes Life Works Out
  • Wanderlost
  • Extended Mind Theory
  • Dawn of Day
  • Revenge of the Extinct
  • Never Nervous
  • Substance Duelist
  • The Stumbling Mushroom
  • Astral Mass Transit
  • Saturday Morning Mutants
  • Calling Out To You
  • PERFECT FULL COMBO
  • 8 Bit Fightin' Music 2
  • solve for why
  • the floor is baklava
  • like the moon loves the..
  • I Know The Peace Can Fit
  • Don't Bring Secrets on...
  • Rollin' & Coastin'
  • Stickshift Spaceship
  • Taste Of Twilight
  • Andrea's Theme
  • Steve's Empire I-VI

Revenge Of The Extinct

suffice it to say

i've written a LOT of music as Emperor Steve

specifically using FLStudio

so every so often, i encounter this feeling like i'm repeating myself

you know, there are certain chords, and drum patterns, and synths

which i very easily connect with, and they form the center of my work

but every so often that feeling becomes a fear that I've explored all there is

as Emperor Steve, with FL Studio, whatever...

but I've learned to see that fear as a dare...

to throw all the processes out of the window

and do something completely different

losing all the crutches, the shortcuts, the familiar patterns

as the eighteenth track in this process, 

that's about where i needed something to shake myself out of it

for fear of falling into a rut


i've always loved randomness in my songs, 

just aimless clicking or dragging or typing to generate some piece of random

that isn't intended to be anything, but it is anyway


i randomly loaded all the drum samples from a folder i had never used

and splattered a drum pattern all over it

you can see in the session artifacts, 

i just straight up started the pattern by playing all the noises individually

you can also see in the artifacts that i completely abandoned my standard playlist coloring patterns

and didn't label or color anything in the mixer

so really breaking from the production habits which i had grown to enjoy


for stability i found the repeating bass line to be alternately

comfortably reliable and maddeningly simple

the walkup/down was a way of breaking my own melody/chord writing process

more about following the walking up and down as a pre-decided pattern

rather than writing something that followed typical chord structures.


everything else kind of fell into place after that

it had to, there was too much random already taking up space


Session Artifacts

Mixer Settings - Revenge of the Extinct - 10.24.2021

    Files coming soon.

    this is a photo i took of some dirt underneath a leaky fire hydrant

    (check the original file in the session artifacts)

    it wasn't until i loaded it into photoshop to play around did i see it


    i cranked the saturation all the way up and there it was

    a storm the size of a map

    behaving in ways we had never seen before


    this was around when i was learning about astronomy from Dr. Ahmed Salama 

    and learning about his work at JPL using satellites to measure ocean height

    which is then used to predict weather patterns


    and i was also thinking about carbon emissions, and fossil fuels...

    they're literally called fossil fuels

    and they're the physical remnants of organisms which lived millions of years ago

    and by using them in this way

    we're bringing our species closer to being as dead as those fossils


    pretty poetic for these fossils to be the harbinger of the climate crises

    i don't necessarily believe about like... cursed tombs or whatever

    but it's pretty clear that there's a proportional response

    between introducing long dead things into our atmosphere

    and the damage we're observing in said atmosphere

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